Weihnachts Wimmelbild Teil 1 „Christas Stories: Nussknacker“ ist auch sehr zu empfehlen:
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Would be pleased to shoot with the Hasseblad at you direction. Thanks, but I have an assistant already and I do the shooting, otherwise he would be the photographer….
Thanks for a really interesting article Ming! And I think these are some of your best photographs.
Not many people can balance so much information into in image without it becoming disconcerting. They do work better at larger sizes and even higher information density though….
Ming, Thank you for the interesting article and discussion. I plan to order new prints after my current work trip so I will have to report back to you in a month or so.
Also from Germany. Where many famous philosophers were born. That German thing really matches with you.
What they share with Wimmelbild in paintings however, is great craftmanship and great attention to detail.
I was talking with my German neighbour this evening and she told me an author named Ali Mitgutsch invented the Wimmelbilderbuch.
A little bit of surfing on the net proved she was correct. With that book he created a still existing genre. When I came to Germany I missed children playing in the street, where were they?
Later Turkish guest workers moved into the neighbourhood and their children played in the street — and German children came too,..
And where you live, where do children play? I first saw them in Breughels art and was surprised. She has no problems snacking on grass or flowers despite our trying to prevent it!
The concept might be very simple. Start with a grand scene and then fill it with a lot of little subscenes.
The end result however looks very complex. A child will discover a little funny subscene every time and the fun of those discoveries will make the child look for more of these funny scenes.
These are not books when once read are put aside. Children want to see these books every time again because they can find something new and funny every time again.
I think every photographer has to some degree ignore the whole idea of convention to avoid making the same images that have been made before…. Approach: Analytic Execution: Controlled, detailed and precise Could we define that combination as your niche?
Analytic is not the same as cold and soulless. Psychologists also have to be analytic. I can immediately think of many possible scenes such as markets, exchange floors, casinos, etc.
Interesting post as always Ming, thank you! So yes, a simplified version of the same image making process though not necessarily easier and similar components but different objective.
I always thought it was the illusion of repetition, but the slight differences are what makes you bounce back and forth in comparison — though not having seen a large original print in person, I might be wrong….
In most of his work, it could almost be defined in modern terms as the opposite of subject isolation. Too many photographers treat subject isolation as something you have to do in every shot.
Hunters in Snow does do a sort of subject isolation, but still has the incredible richness of detail. Most of his work and a lot of yours are more urban scenes that show the complexity of urban life while still trying to make some kind of a focused statement, although that statement might be as simple as the richness of a wedding reception experience.
I remember some of your Tokyo photos showing teeming streets and they are reminiscent of Brueghel. Will be interesting as we get much more acclimated to phots than painting if painters start putting depth of field and motion blur into their works.
He should have been included. As for isolation — it is much easier to paint a subject over a clean background than a deliberately messy one, and painting shallow depth of field convincingly is nigh on impossible — not to mention impossible to imagine back in the day without fast optics to show us what it looked like.
Thanks for reminding me ;P. Hey Ming, this is a great article. One previous poster was correct: the images that go with the text are highly respectable.
Couple of thoughts: 1 I believe you have grasped the concept that I associate with the word, me being German. Wimmelbilder, to me, are closely connected to childhood memory.
Apart from the visual characteristics — which I think you got completely correct — one distinguishing feature of the wimmelbilder I remember is that there were not only many sub-compositions but also many sub-stories.
Sure, there is usually an overarching narrative, but below that level, there may be more going on. As such, I think the concept of wimmelbilder transcends purely geometrical considerations.
This is to do with the second point: Wimmelbilder command a lot more attention from the viewer than almost any other type of image.
That is not necessarily a result of the complex composition but may be the other way around. I remember my former dentist having a large-scale wimmelbild of a woodland scene hanging on the ceiling above the patient.
And similarly, almost any pediatrician has books containing wimmelbilder in the waiting area. Because they force the viewer to concentrate, to immerse themselves in the scene for a few moments resulting in calmer patients….
In video editing it is commonplace to show images moving ones, nonetheless for less than a second, simply because the viewer has understood and registered them in that short time period.
To come to my point: I think that images with highly detailed compositions which do not tell more than one story are not really wimmelbilder, at least not in the way I understand them.
I may be wrong in this and of course it does not mean that the images I excluded from the category are any less valid; I only see a conceptual difference between them.
Cheers and please keep the photography articles coming: I know the feedback is relatively low but they are worth a lot to readers like me. Should you ever publish a book, I would buy it in a heartbeat.
On the other hand, a seemingly more simple image that does offer the potential for immersion still qualifies because you gain additional returns when you invest more effort.
Not every image will do that…and I find that many do the opposite: the closer you look, the sooner you find something jarring and at odds with the rest of the composition that inevitably jumps out first every time you revisit the image.
Interesting post…. Like anything I believe the center of it is your particular creativity and self expression. But, your love of intricate watch details may lead you eye to these things on a larger scale.
And that good mix of good illustrations widening the meaning of the text. Irrespective of the subject, the art of composition is partly about relating all the visual material geometrically.
Not a straight-forward spatial power spectrum of image processing, but something a little more nuanced with recurring patterns at different scales.
Perhaps the deep significance comes to how the human visual system interprets an image, identifying pattern and drawing meaning out of geometry.
When those patterns register in just the right relationship to one another, resonating at different scales or harmonising like the score of a symphony, the effect is delicious.
If the mixed metaphor can be excused! Using one of our other senses, your comment just made me think of the composition of a symphony.
Low frequency repeating melodies, mid-frequency riffs, high frequency sparkling details…I suppose this is the photographic equivalent?
Ah yes, fractals …. And yes, with regards to this subject fractals also jump into my mind every time. Although Wimmelbilder seem to be something else.
With a limited set of formulae and parameters it seems, very complex life-like graphics can be generated with fractal mathematics.
Simple concept, very complex end result. Genetic code will use these mathematics. So in the end we and life around us are very simple.
Or very complex? It might be this familiarity that causes our appreciation of clearly fractal things like mountain sceneries and woods.
This appreciation is not true for everyone. I love this subject…. I think there is a parallel here to the phenomenon that we grow roots in the landscape we grow up in, in the sense that we feel very much more at home in landscapes very similar to that.
Very telling…. Tech is pointless without an objective…but perhaps I could wimmelbild better with a hundred megapixels instead of fifty….
Is that based on visitor statistics? Ming, I am a serious photography enthusiast, and have been following your blog for quite some time now since I found your Film Diaries when I started shooting film with a beautiful and old Leica M3 and a Hasselblad CXi which I really love but now mostly shoot digital since I am traveling for an extended period of time around Asia.
Now I enjoy your Photo Essays, which I find exquisite… Not only because of your great work as a photographer, but also because of the way you write.
I am mesmerised by your recent digital Hasselblad images, but the camera is just a machine, your mind and eye are behind it! Gear reviewers are everywhere.
Serious photographers generous enough to share their thoughts and skills with total strangers… not so many… Rest assured, those of us who read your blog to learn about photography, about photographers, about techniques, composition, lighting… we cannot look at you under any other light.
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The Gentle Author is taking the annual holiday now and resuming with new stories in September. Lotte Wagner - freelance illustrator, specialised in wimmelbild, spotillustration, search images, activity books.
Comprehensive archive of licensable images. Eine Sammlung von einer Kollegin. He studied at the St.