Christopher Walken Russian Roulette

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Die drei Freunde Michael, Nick und Steven führen ein glückliches Leben, bis sie sich freiwillig für den Vietnamkrieg melden. Erst in Kriegsgefangenschaft treffen sie sich wieder und müssen in einem grausamen Spiel gegeneinander antreten. In einer. Die durch die Hölle gehen (Originaltitel: The Deer Hunter) ist ein US-​amerikanischer Spielfilm Michael versucht ihn während eines Russisch-​Roulette-Spiels zur Rückkehr in die Heimat zu überreden in den Kategorien Bester Film, Bester Nebendarsteller (Christopher Walken), Beste Regie, Bester Schnitt und Bester Ton. Dieser Artikel:Die durch die Hölle gehen von Christopher Walken DVD 3,99 € I'​d have to draw a veil over the Russian Roulette sequences in VN, though. Die durch die Hölle gehen [VHS]: Christopher Walken, Robert De Niro, John I'd have to draw a veil over the Russian Roulette sequences in VN, though. Schauspieler: Christopher Walken Robert De Niro John Savage Meryl We can understand this game, Russian roulette, as a symbol of The.

Christopher Walken Russian Roulette

die Hölle gehen von Michael Cimino mit Robert De Niro, Christopher Walken, mit einer sehr sehr intensiven und sehr spannenden Russian Roulette Szene. film, cinema, michael cimino, christopher walken, platoon, apocalypse now, russian roulette, oscar, die durch die hölle gehen, thunderbolt and lightfoot, classic. michael cimino.

Christopher Walken Russian Roulette Cinegeek.de

Sein Ziel war es, Stardew Valley Casino Auswirkungen, welche der Krieg auf die USA und seine zunächst noch blindem Patriotismus folgenden Bürger nimmt, anhand dieser Handlungsabschnitte filmisch zu protokollieren. Steven und Angela trinken aus einem verbundenen Kelch. Who has ever seen such a terrible scene? Aus Vietnam zurück gekehrt, ist er von Stille umgeben. Download Android Apps keiner der fünf Oscars, die der Film eingesackt hat, an De Niro vergeben wurde, entzieht sich meinem Verständnis. Was auch immer man von den vietnamesischen Kommunisten halten mochte, diese plumpe Verunglimpfung war unwürdig und empörend. Is it an Benfica Stats movie? Paysafecard Auf Rechnung Bestellen senden. Video: Trailer. Früher dachten die Freunde naiv vom Heldentum. Registrieren Sie sich für weitere Kostenlos Paysafecard sehen Es ist einfach und kostenlos Registrieren Einloggen. Casino Vohringen it's about a group of friends. Durch einen Trick, bei dem sie Fisch Spiele 1001 Leben riskieren, gelingt es Michael, die Wärter zu töten und mit seinen Freunden zu fliehen.

Christopher Walken Russian Roulette Video

Deer Hunter (1978) - Russian roulette scene (3 bullets)

The manager figured if the extras did this, not only would the production save time and money, but the gifts would also look more authentic.

Once the unit unwrapped and the extras disappeared, the crew discovered to their amusement that the boxes weren't empty but filled with real presents, from china to silverware.

Cimino originally claimed that the wedding scene would take up 21 minutes of screen time. In the end, it took 51 minutes. Deeley believes that Cimino always planned to make this prologue last for an hour, and "the plan was to be advanced by stealth rather than straight dealing.

At this point in the production, nearly halfway through principal photography, Cimino was already over budget, and producer Spikings could tell from the script that shooting the extended scene could sink the project.

The first deer to be shot was depicted in a "gruesome close-up", although he was hit with a tranquilizer dart. The Viet Cong Russian roulette scenes were shot with real rats and mosquitoes , as the three principals De Niro, Walken, and Savage were tied up in bamboo cages erected along the River Kwai.

The woman who was given the task of casting the extras in Thailand had much difficulty finding a local to play the vicious-looking individual who runs the game.

The first actor hired turned out to be incapable of slapping De Niro in the face. The casting agent then found a local Thai man with a particular dislike of Americans, and so cast him.

De Niro suggested that Walken be slapped by one of the guards without any warning. The reaction on Walken's face was genuine.

Producer Deeley has said that Cimino shot the brutal Vietcong Russian roulette scenes brilliantly and more efficiently than any other part of the film.

De Niro and Savage performed their own stunts in the fall into the river, filming the thirty-foot drop fifteen times in two days. During the helicopter stunt, the skids caught on the rope bridge as the helicopter rose, which threatened to seriously injure De Niro and Savage.

The actors gestured and shouted to the crew in the helicopter to warn them. Footage of this is included in the film. According to Cimino, De Niro requested a live cartridge in the revolver for the scene in which he subjects John Cazale's character to an impromptu game of Russian roulette, to heighten the intensity of the situation.

Cazale agreed without protest, [7] but obsessively rechecked the gun before each take to make sure that the live round wasn't next in the chamber.

While appearing later in the film, the first scenes shot upon arrival in Thailand were the hospital sequences between Walken and the military doctor.

Deeley believed that this scene was "the spur that would earn him an Academy Award. His direction to his actors: "You put the gun to your head, Chris, you shoot, you fall over and Bobby cradles your head.

Sheinberg thought it was anti-American. He was vehement. He said something like 'You're poking a stick in the eye of America.

And they certainly didn't like it at three hours and two minutes. I'd muddled and sold the wrong picture to each studio. Thom Mount , president of Universal at the time, said, "This was just a That was simply because he was wedded to everything he shot.

The movie was endless. The wedding sequence was a cinematic event all unto its own. She started to turn the heat up on Michael, and he started screeching and yelling.

Zinner eventually cut the film to 18, feet 3. Regarding the clashes between him and Cimino, Zinner stated: "Michael Cimino and I had our differences at the end, but he kissed me when we both got Academy Awards.

I cut Deer Hunter myself. The Deer Hunter was Cimino's first film to use Dolby noise-reduction system. You can come close to demolishing the screen.

One short battle sequence— feet of film in the final cut—took five days to dub. Another sequence recreated the American evacuation of Saigon; Cimino brought the film's composer, Stanley Myers, out to the location to listen to the auto, tank, and jeep horns as the sequence was being photographed.

The result, according to Cimino: Myers composed the music for that scene in the same key as the horn sounds, so the music and the sound effects would blend with the images to create one jarring, desolate experience.

Both the long and short versions were previewed to Midwestern audiences, although there are differing accounts among Cimino, Deeley, and Spikings as to how the previews panned out.

The network later cancelled the acquisition on the contractually permitted grounds of the film containing too much violence for US network transmission.

One of the most talked-about sequences in the film, the Viet Cong 's use of Russian roulette with POWs , was criticized as being contrived and unrealistic since there were no documented cases of Russian roulette in the Vietnam War.

The central metaphor of the movie is simply a bloody lie. Cimino countered that his film was not political, polemical, literally accurate, or posturing for any particular point of view.

During the 29th Berlin International Film Festival in , the Soviet delegation expressed its indignation with the film which, in their opinion, insulted the Vietnamese people in numerous scenes.

Other socialist states also voiced their solidarity with the "heroic people of Vietnam". They protested against the screening of the film and insisted that it violated the statutes of the festival because it in no way contributed to the "improvement of mutual understanding between the peoples of the world".

The ensuing domino effect led to the walk-outs of the Cubans, East Germans, Hungarians, Bulgarians, Poles and Czechoslovakians, and two members of the jury resigned in sympathy.

In his review, Roger Ebert defended the artistic license of Russian roulette, arguing "it is the organizing symbol of the film: Anything you can believe about the game, about its deliberately random violence, about how it touches the sanity of men forced to play it, will apply to the war as a whole.

It is a brilliant symbol because, in the context of this story, it makes any ideological statement about the war superfluous.

Film critic and biographer David Thomson also agrees that the film works despite the controversy: "There were complaints that the North Vietnamese had not employed Russian roulette.

It was said that the scenes in Saigon were fanciful or imagined. It was also suggested that De Niro, Christopher Walken, and John Savage were too old to have enlisted for Vietnam Savage, the youngest of the three, was thirty.

Three decades later [written in ], 'imagination' seems to have stilled those worries The impression a viewer gets is that if we did some bad things there we did them ruthlessly but impersonally; the Vietcong were cruel and sadistic.

In his Vanity Fair article "The Vietnam Oscars", Peter Biskind wrote that the political agenda of The Deer Hunter was something of a mystery: "It may have been more a by-product of Hollywood myopia, the demands of the war-film genre, garden-variety American parochialism, and simple ignorance than it was the pre-meditated right-wing road map it seemed to many.

According to Christopher Walken, the historical context was not paramount: "In the making of it, I don't remember anyone ever mentioning Vietnam!

Maybe it did. I don't know. All's fair in love and war. I can't think of a better word for it. I didn't realize how badly we'd behaved to the Vietnamese people Producer Deeley, on the other hand, was quick to defend Cimino's comments on the nature and motives of the film: " The Deer Hunter wasn't really 'about' Vietnam.

It was something very different. It wasn't about drugs or the collapse of the morale of the soldiers. It was about how individuals respond to pressure: different men reacting quite differently.

The film was about three steel workers in extraordinary circumstances. Apocalypse Now is surreal. The Deer Hunter is a parable Men who fight and lose an unworthy war face some obvious and unpalatable choices.

They can blame their leaders.. Self-blame has been a great burden for many war veterans. So how does a soldier come to terms with his defeat and yet still retain his self-respect?

One way is to present the conquering enemy as so inhuman, and the battle between the good guys us and the bad guys them so uneven, as to render defeat irrelevant.

The audience's sympathy with prisoners who quite understandably cracked thus completes the chain. Accordingly, some veterans who suffered in that war found the Russian roulette a valid allegory.

Cimino frequently referred to The Deer Hunter as a "personal" and "autobiographical" film, although later investigation by journalists like Tom Buckley of Harper's revealed inaccuracies in Cimino's accounts and reported background.

In , critic Robin Wood examined what he viewed as the film's homosexual subtext. In the film's central "male love affair" Mike supposedly represents the powers of control and repression, whereas Nick stands for release and liberation.

According to Wood, "Nick both is and knows himself to be in love with Mike and Mike reciprocates that love but can't admit it, even to himself".

In the end, Wood argues that Nick shoots himself because "he has recognized that Mike offers nothing but a return to repression".

The final scene in which all the main characters gather and sing "God Bless America" became a subject of heated debate among critics when the film was released.

It raised the question of whether this conclusion was meant ironically or not — "as a critique of patriotism or a paean to it".

The consensus reads: "Its greatness is blunted by its length and one-sided point of view, but the film's weaknesses are overpowered by Michael Cimino 's sympathetic direction and a series of heartbreaking performances from Robert De Niro, Meryl Streep, and Christopher Walken".

Roger Ebert of the Chicago Sun-Times gave the film four out of four stars and called it "one of the most emotionally shattering films ever made.

Much of it, including some casting decisions, suggest inspiration by The Godfather. Its vision is that of an original, major new filmmaker.

However, The Deer Hunter was not without critical backlash. Pauline Kael of The New Yorker wrote a positive review with some reservations: "[It is] a small minded film with greatness in it It is perhaps significant that the actors remain more interesting than the characters they play.

The enemy is still bestial and stupid, and no match for our purity and heroism; only we no longer wipe up the floor with him—rather, we litter it with his guts.

Author Karina Longworth notes that Streep "made a case for female empowerment by playing a woman to whom empowerment was a foreign concept—a normal lady from an average American small town, for whom subservience was the only thing she knew".

It has a "credibly humanist message", and that the "slow study of the men in blissfully ignorant homeland machismo is crucial to it". Canby said in his famous review of Heaven's Gate , "[The film] fails so completely that you might suspect Mr.

Cimino sold his soul to the Devil to obtain the success of The Deer Hunter , and the Devil has just come around to collect.

Hence, the stupidity and incoherence in Heaven's Gate came as no surprise since very much the same stupidity and incoherence had been amply evident in The Deer Hunter.

In his book Final Cut: Dreams and Disaster in the Making of Heaven's Gate , Steven Bach wrote, "critics seemed to feel obliged to go on the record about The Deer Hunter , to demonstrate that their critical credentials were un-besmirched by having been, as Sarris put it, 'taken in.

More recently, film critic Mark Kermode challenged the film's status: "At the risk of being thrown out of the 'respectable film critics' circle, may I take this opportunity to declare officially that in my opinion The Deer Hunter is one of the worst films ever made , a rambling self indulgent, self aggrandizing barf-fest steeped in manipulatively racist emotion, and notable primarily for its farcically melodramatic tone which is pitched somewhere between shrieking hysteria and somnambulist sombreness.

However, many critics, including David Thomson [72] and A. Film producer and "old-fashioned mogul" Allan Carr used his networking abilities to promote The Deer Hunter.

Because he had no apparent motive for this promotion, it had an added power and legitimacy and it finally did start to penetrate the minds of the Universal's sales people that they actually had in their hands something a bit more significant than the usual.

Jane Fonda also criticized The Deer Hunter in public. Deeley suggested that her criticisms partly stemmed from the competition between her film Coming Home vying with The Deer Hunter for Best Picture.

According to Deeley, he planted a friend of his in the Oscar press area behind the stage to ask Fonda if she had seen The Deer Hunter.

As the Oscars drew near, the backlash against The Deer Hunter gathered strength. The demonstrators waved placards covered with slogans that read "No Oscars for racism" and " The Deer Hunter a bloody lie" and thrust pamphlets berating Deer Hunter into long lines of limousine windows.

According to Variety , "Police and The Deer Hunter protesters clashed in a brief but bloody battle that resulted in 13 arrests.

De Niro was so anxious that he did not attend the Oscars ceremony. The Deer Hunter was among the early, and most controversial, major theatrical films to be critical of the American involvement in Viet Nam following when the war officially ended.

Other films released later that illustrated the 'hellish', futile conditions of bloody Viet Nam War combat included: [63].

David Thomson wrote in an article titled " The Deer Hunter : Story of a scene" that the film changed the way war-time battles were portrayed on film: "The terror and the blast of firepower changed the war film, even if it only used a revolver.

More or less before the late s, the movies had lived by a Second World War code in which battle scenes might be fierce but always rigorously controlled.

In a interview with Rotten Tomatoes, actor William Fichtner retrospectively stated that he and his partner were silenced after seeing the film, stating that "the human experience was just so pointed; their journeys were so difficult, as life is sometimes.

I remember after seeing it, walking down the street — I actually went with a girl on a date and saw The Deer Hunter , and we left the theater and walked for like an hour and nobody said anything; we were just kind of stunned about that.

The deaths of approximately 25 people who died playing Russian roulette were reported as having been influenced by scenes in the movie.

In , The Deer Hunter was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

The film ranks th in the Empire magazine's list of the greatest movies of all time, [98] noting:. Cimino's bold, powerful 'Nam epic goes from blue-collar macho rituals to a fiery, South East Asian hell and back to a ragged singalong of America the Beautiful [sic].

Jan Scruggs , a Viet Nam veteran who became a counselor with the U. Department of Labor , thought of the idea of building a National Memorial for Viet Nam Veterans after seeing a screening of the film in March , and he established and operated the memorial fund which paid for it.

The first issue was by Universal, with no extra features and a non- anamorphic transfer, and has since been discontinued. The set features a cinematographer's commentary by Vilmos Zsigmond, deleted and extended scenes, and production notes.

StudioCanal released the film on the Blu-ray format in countries other than the United States on March 11, On May 26, , Shout! From Wikipedia, the free encyclopedia.

For other uses, see Deer Hunter disambiguation. UK theatrical release poster. Release date. Running time. Stanley Myers. Robert De Niro pulls the trigger in the game of Russian roulette that takes place in the Viet Cong prison scene.

British Board of Film Classification. November 15, Retrieved February 1, Box Office Mojo. Retrieved May 26, Library of Congress.

Retrieved Vanity Fair. Blue Underground. The Playlist. June 1, The New York Observer 16 6 : pp. First half of video on YouTube.

The Vindicator. Associated Press. December 10, Sneak Previews: Oscar Preview for Retrieved October 17, Moon Thailand.

Avalon Travel. September 7, Archived from the original on November 10, Retrieved April 26, The Encyclopedia of Cleveland History.

May 24, Lonely Planet. Huffington Post. Archived from the original on October 13, Weirton Daily Times. West Virginia Division of Culture and History.

Los Angeles Times. Retrieved September 1, In Belton, John; Weis, Elisabeth eds. Film Sound: Theory and Practice Paperback ed.

London, England: Quintet Publishing. Greatest Films. American film and society since Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.

Director: Michael Cimino. See Showtimes. Added to Watchlist. From metacritic. War Movies - Filmes de Guerra. My favorite movies of all time.

TOP War Movies. My Favourites. War Collection. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Top Rated Movies Won 5 Oscars. Michael John Cazale Stan John Savage Steven Christopher Walken Nick Meryl Streep Linda George Dzundza John Chuck Aspegren Axel Shirley Stoler Steven's Mother Rutanya Alda Angela Pierre Segui Julien Mady Kaplan Axel's Girl Amy Wright Bridesmaid Mary Ann Haenel Stan's Girl Richard Kuss Linda's Father Joe Grifasi Edit Storyline Michael, Steven and Nicky are 3 best friends who enjoy going Deer hunting quote often.

Edit Did You Know? Goofs The credits list John D. Rockefeller IV. Quotes [ first lines ] Michael : Hey, watch out, Axel. We'll be calling him old fireballs after tonight.

Axel : Fuckin' A. Michael : Not bad. Was this review helpful to you? Yes No Report this. Q: Where were the hunting scenes filmed? Q: How does the movie end?

Runtime: min. Color: Color. Edit page. Editors' Picks: Old-School Cool. Editors' Picks: Sci-Fi Mysteries. Clear your history.

Those combat cameramen in Vietnam were out there in the field with the guys. I mean, they had stuff that you wouldn't dream of seeing about Iraq.

He recalls, "We finished, and Joann looks at me across the table, and she says, 'Well, Deric, it's fuck-off time.

It was a classic case: you get a dummy, get him to write the goddamn thing, tell him to go fuck himself, put your name on the thing, and he'll go away.

I was so tired, I didn't care. I'd been working 20 hours a day for a month. I got on the plane the next day, and I went back to Manhattan and my carpenter job.

Deeley felt the revised script, now called The Deer Hunter , broke fresh ground for the project. Cimino and Washburn's revised script distilled the three aspects of Merle's personality and separated them out into three distinct characters.

They became three old friends who grew up in the same small industrial town and worked in the same steel mill, and in due course were drafted together to Vietnam.

Nick returns home to Linda, while Mike remains in Vietnam, sends money home to help Steven, and meets his tragic fate at the Russian roulette table.

A Writers' Guild arbitration process awarded Washburn sole "Screenplay by" credit. Deeley felt the story credits for Garfinkle and Redeker "did them less than justice.

The Deer Hunter began principal photography on June 20, All scenes were shot on location no sound stages. The film was shot over a period of six months.

The Clairton scenes comprise footage shot in eight different towns in four states: West Virginia, Pennsylvania, Washington, and Ohio. Meryl Streep accepted the role of the "vague, stock girlfriend", in order to remain for the duration of filming with John Cazale , who had been diagnosed with lung cancer.

Deeley hired Relyea after meeting him on the set of Bullitt and was impressed with his experience. However, Relyea declined the job, refusing to disclose his reason why.

As a result, Cimino was acting without the day-to-day supervision of a producer. Because Deeley was busy overseeing in the production of Sam Peckinpah 's Convoy , he hired John Peverall to oversee Cimino's shoot.

Peverall's expertise with budgeting and scheduling made him a natural successor to Relyea, and Peverall knew enough about the picture to be elevated to producer status.

The wedding scenes were filmed at the historic St. Theodosius' Father Stephen Kopestonsky was cast as the priest at the wedding.

The amateur extras lined up for the crowded wedding-dance sequences drank real liquor and beer. The production manager asked each of the Russian immigrant extras to bring to the location a gift-wrapped box to double for wedding presents.

The manager figured if the extras did this, not only would the production save time and money, but the gifts would also look more authentic.

Once the unit unwrapped and the extras disappeared, the crew discovered to their amusement that the boxes weren't empty but filled with real presents, from china to silverware.

Cimino originally claimed that the wedding scene would take up 21 minutes of screen time. In the end, it took 51 minutes. Deeley believes that Cimino always planned to make this prologue last for an hour, and "the plan was to be advanced by stealth rather than straight dealing.

At this point in the production, nearly halfway through principal photography, Cimino was already over budget, and producer Spikings could tell from the script that shooting the extended scene could sink the project.

The first deer to be shot was depicted in a "gruesome close-up", although he was hit with a tranquilizer dart. The Viet Cong Russian roulette scenes were shot with real rats and mosquitoes , as the three principals De Niro, Walken, and Savage were tied up in bamboo cages erected along the River Kwai.

The woman who was given the task of casting the extras in Thailand had much difficulty finding a local to play the vicious-looking individual who runs the game.

The first actor hired turned out to be incapable of slapping De Niro in the face. The casting agent then found a local Thai man with a particular dislike of Americans, and so cast him.

De Niro suggested that Walken be slapped by one of the guards without any warning. The reaction on Walken's face was genuine.

Producer Deeley has said that Cimino shot the brutal Vietcong Russian roulette scenes brilliantly and more efficiently than any other part of the film.

De Niro and Savage performed their own stunts in the fall into the river, filming the thirty-foot drop fifteen times in two days.

During the helicopter stunt, the skids caught on the rope bridge as the helicopter rose, which threatened to seriously injure De Niro and Savage.

The actors gestured and shouted to the crew in the helicopter to warn them. Footage of this is included in the film.

According to Cimino, De Niro requested a live cartridge in the revolver for the scene in which he subjects John Cazale's character to an impromptu game of Russian roulette, to heighten the intensity of the situation.

Cazale agreed without protest, [7] but obsessively rechecked the gun before each take to make sure that the live round wasn't next in the chamber.

While appearing later in the film, the first scenes shot upon arrival in Thailand were the hospital sequences between Walken and the military doctor.

Deeley believed that this scene was "the spur that would earn him an Academy Award. His direction to his actors: "You put the gun to your head, Chris, you shoot, you fall over and Bobby cradles your head.

Sheinberg thought it was anti-American. He was vehement. He said something like 'You're poking a stick in the eye of America.

And they certainly didn't like it at three hours and two minutes. I'd muddled and sold the wrong picture to each studio.

Thom Mount , president of Universal at the time, said, "This was just a That was simply because he was wedded to everything he shot. The movie was endless.

The wedding sequence was a cinematic event all unto its own. She started to turn the heat up on Michael, and he started screeching and yelling.

Zinner eventually cut the film to 18, feet 3. Regarding the clashes between him and Cimino, Zinner stated: "Michael Cimino and I had our differences at the end, but he kissed me when we both got Academy Awards.

I cut Deer Hunter myself. The Deer Hunter was Cimino's first film to use Dolby noise-reduction system. You can come close to demolishing the screen.

One short battle sequence— feet of film in the final cut—took five days to dub. Another sequence recreated the American evacuation of Saigon; Cimino brought the film's composer, Stanley Myers, out to the location to listen to the auto, tank, and jeep horns as the sequence was being photographed.

The result, according to Cimino: Myers composed the music for that scene in the same key as the horn sounds, so the music and the sound effects would blend with the images to create one jarring, desolate experience.

Both the long and short versions were previewed to Midwestern audiences, although there are differing accounts among Cimino, Deeley, and Spikings as to how the previews panned out.

The network later cancelled the acquisition on the contractually permitted grounds of the film containing too much violence for US network transmission.

One of the most talked-about sequences in the film, the Viet Cong 's use of Russian roulette with POWs , was criticized as being contrived and unrealistic since there were no documented cases of Russian roulette in the Vietnam War.

The central metaphor of the movie is simply a bloody lie. Cimino countered that his film was not political, polemical, literally accurate, or posturing for any particular point of view.

During the 29th Berlin International Film Festival in , the Soviet delegation expressed its indignation with the film which, in their opinion, insulted the Vietnamese people in numerous scenes.

Other socialist states also voiced their solidarity with the "heroic people of Vietnam". They protested against the screening of the film and insisted that it violated the statutes of the festival because it in no way contributed to the "improvement of mutual understanding between the peoples of the world".

The ensuing domino effect led to the walk-outs of the Cubans, East Germans, Hungarians, Bulgarians, Poles and Czechoslovakians, and two members of the jury resigned in sympathy.

In his review, Roger Ebert defended the artistic license of Russian roulette, arguing "it is the organizing symbol of the film: Anything you can believe about the game, about its deliberately random violence, about how it touches the sanity of men forced to play it, will apply to the war as a whole.

It is a brilliant symbol because, in the context of this story, it makes any ideological statement about the war superfluous.

Film critic and biographer David Thomson also agrees that the film works despite the controversy: "There were complaints that the North Vietnamese had not employed Russian roulette.

It was said that the scenes in Saigon were fanciful or imagined. It was also suggested that De Niro, Christopher Walken, and John Savage were too old to have enlisted for Vietnam Savage, the youngest of the three, was thirty.

Three decades later [written in ], 'imagination' seems to have stilled those worries The impression a viewer gets is that if we did some bad things there we did them ruthlessly but impersonally; the Vietcong were cruel and sadistic.

In his Vanity Fair article "The Vietnam Oscars", Peter Biskind wrote that the political agenda of The Deer Hunter was something of a mystery: "It may have been more a by-product of Hollywood myopia, the demands of the war-film genre, garden-variety American parochialism, and simple ignorance than it was the pre-meditated right-wing road map it seemed to many.

According to Christopher Walken, the historical context was not paramount: "In the making of it, I don't remember anyone ever mentioning Vietnam!

Maybe it did. I don't know. All's fair in love and war. I can't think of a better word for it. I didn't realize how badly we'd behaved to the Vietnamese people Producer Deeley, on the other hand, was quick to defend Cimino's comments on the nature and motives of the film: " The Deer Hunter wasn't really 'about' Vietnam.

It was something very different. It wasn't about drugs or the collapse of the morale of the soldiers.

It was about how individuals respond to pressure: different men reacting quite differently. The film was about three steel workers in extraordinary circumstances.

Apocalypse Now is surreal. The Deer Hunter is a parable Men who fight and lose an unworthy war face some obvious and unpalatable choices.

They can blame their leaders.. Self-blame has been a great burden for many war veterans. So how does a soldier come to terms with his defeat and yet still retain his self-respect?

One way is to present the conquering enemy as so inhuman, and the battle between the good guys us and the bad guys them so uneven, as to render defeat irrelevant.

The audience's sympathy with prisoners who quite understandably cracked thus completes the chain. Accordingly, some veterans who suffered in that war found the Russian roulette a valid allegory.

Cimino frequently referred to The Deer Hunter as a "personal" and "autobiographical" film, although later investigation by journalists like Tom Buckley of Harper's revealed inaccuracies in Cimino's accounts and reported background.

In , critic Robin Wood examined what he viewed as the film's homosexual subtext. In the film's central "male love affair" Mike supposedly represents the powers of control and repression, whereas Nick stands for release and liberation.

According to Wood, "Nick both is and knows himself to be in love with Mike and Mike reciprocates that love but can't admit it, even to himself". In the end, Wood argues that Nick shoots himself because "he has recognized that Mike offers nothing but a return to repression".

The final scene in which all the main characters gather and sing "God Bless America" became a subject of heated debate among critics when the film was released.

It raised the question of whether this conclusion was meant ironically or not — "as a critique of patriotism or a paean to it". The consensus reads: "Its greatness is blunted by its length and one-sided point of view, but the film's weaknesses are overpowered by Michael Cimino 's sympathetic direction and a series of heartbreaking performances from Robert De Niro, Meryl Streep, and Christopher Walken".

The film takes great pains depicting its major characters in their native environment with a lengthy overture in which steelworkers from a tightknit Pennsylvanian Lemkos community — Mike Robert De Niro , Stan John Cazale , Steve John Savage , Nick Christopher Walken and Axel non-professional actor Chuck Aspegren — go carousing.

Before they ship out Steve marries his girlfriend Linda Meryl Streep , even though she is pregnant by somebody else before his death in , Cimino confirmed that Nick was the father.

In Vietnam, the friends are taken captive and tortured by the Vietcong, who force them to play Russian roulette.

The war and the psychological abuse takes a toll. Steve returns in a wheelchair. Mike begins to question his fascination with deer hunting.

Nick remains in Saigon where he plays Russian roulette for money. Mike attempts to save him, to no avail. Cavatina had been written for the film, The Walking Stick , by British composer Stanley Myers , but was popularised by The Deer Hunter : three different versions were top 20 hits in the UK in The real art, however, is in the method.

Cimino instructed the props department to mock up photographs depicting the main six actors together as children. Pennsylvania IDs were fashioned for each of them.

His scenes were shot first, and he died before filming was completed, lending an even greater melancholy to a very American tragedy. The main actors above all De Niro and Walken perfectly picture the character's inner conflict between their easygoing home town life and the forthcoming assignment in Vietnam.

Despite this conflict the characters don't show their concerns to their environment. Particularly Nick is worried about him and his friends leaving his home town and perhaps never coming back, but he only tells his best friend Mike of his thoughts, who is much more resolute and sees their engagement as a strong masculine act.

Cimino manages to show the simple irrationality of young men, going to a senseless war from which they might never return for the only purpose of glory and approval, and abandoning their settled and happy life for it.

The spectator just can't understand why those young men voluntarily sign for the army and give up everything they have. The passage from the small-town-idyll to the war cruelty is greatly pictured.

Cimino does not show the three friends' way to Vietnam or the training, he immediately switches from a happy get-together to the cruel war captivity of the Vietcong.

This passage perfectly underlines the contrast and the inexplicability of the three men's actions. Although the passage that is set in Vietnam is only about one third of the whole film long, the war is omnipresent at any time, which is probably the best benefit of the whole film, Cimino does not need to bomb the spectator with pictures of crying children, mutilated soldiers or desert battlefields in order to illustrate the cruelty of war.

Far from it! The changed behavior of all characters after the friends' returns tell more about wars' capability of changing someone's life, than anything else.

And the fact that the many dreams that these three friends had before they went to Vietnam didn't come true, because of their longing for recognition by becoming an acclaimed veteran can even pluck your heartstrings.

Cimino's great directing and the cast's awesome acting provide for a touching and honest drama about the friendship of a group of young men, that is destroyed by the Vietnam war.

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